"Who wants to hear a song that isn't about sex?" laughs lead singer Hayden Thorpe, aware of the libidinous nature of many of his songs. He saunters back and forward ominously on stage, yet always meticulous in delivery. Fellow singer Tom Fleming cuts a more formidable figure, and frankly is more fearsome beneath a baseball cap; during 2BU he arches forward with arms aloft, glaring into the crowd; all whilst delivering the chorus in his distinct deeper vocal.
Wild Beasts are untamed during a rip-roaring opening. New tracks Ponytail and He the Colossus have such an energetic zing which is sustained throughout. The two singles taken from the recent album Boy King; Get My Bang and Big Cat; nicely step into line with the same energy.
The tiptoe steps back into the archive are appreciated warmly too. The performance of Reach a Bit Further highlights the clear chemistry - and vocal distinction - between the two lead singers. In a track like Mecca, for example; whereas Thorpe opts for the higher falsetto register, it is the softer lilting backing of Fleming that enhances the sound.
This vocal harmony between the two protagonists is the real draw of Wild Beasts. Thorpe takes centre stage, with Fleming positioned right of centre. Sartorially speaking; it is a vest, jeans, high top trainers and a baseball cap for Tom Fleming, while Hayden chooses a t-shift beneath a smart sleeveless buttoned top. By far and away not a sophisticated look; they just about carry it off.
This is a captivating show. Lion's Share still sounds so good, Hayden's vocals are particularly mellifluous here, although one wanted them to immediately follow by launching straight into Bed of Nails - just like on the glorious Smother album. Hooting and Howling is ageless. Wanderlust is peerless. The finale All the Kings Men has everyone trying their best "watch me!" impressions.
Yet, even though one can clearly see a "wilder" edgier Wild Beasts blossoming; it is their elegant and refined melodies that remain everlasting.
